Thoughts on Lockdown on the Thames
We’ve enjoyed the start of summer early as the geese and other early birds on Island Gardens wake up, their calls crossing the silent river as Canary Wharf dreams away. We also hear the dawn chorus from the great Greenwich Hospital Estate, bereft of students, its gates firmly closed to one and all.
No Thames Clipper or incoming aircraft wake us from our slumbers as the capital has shut down because of the dreaded plague. Just the sound of determined runners sprinting by making up for their cancelled marathon. No early rowers from our next-door rowing centre or the splash and rattle of blades as crew set out for their Sunday practice. No commuters chattering their way along our Crane Street ancient passageway to and from their daily business chores.
An on-going project means re-reading Samuel Pepys’ accounts of regular rendezvous with John Evelyn up at the Kings Dockyard in Deptford. This helps me with my graphic visualisation of the Elizabethan manor house at Sayes Court and the peace of those remarkable gardens which so impressed the great and the good. Further investigations made me aware that, just next door to the dock wall in the Royal Dock, an iron foundry was busy building those fine and interesting naval vessels which worked all the hours of daylight. Perhaps we are experiencing the quietest time ever on our great maritime waterway. That’s a thought to savour and enjoy.
This long-lasting project at Deptford can be viewed from my studio’s upstream vista, over both the Rowing Club and Trafalgar Tavern roofs up to Creekmouth with the Royal Dockyard beyond including the Master Shipwright’s House and Convoys Wharf on the bend of Greenwich Reach. Part cleared building land and the famed early Georgian Olympic slipway cover an extensive waterfront all awaiting development. It’s my intention during lockdown to depict various aerial views aided by the excellent monograph published by the Museum of London following the extensive excavations of 2000-2012.